invisiblepalmistryA LITERARY EXHIBITIONProject film ↗

TEXT → DATA → MATTER → BODY

Visible Bodies,
Invisible Power.

Four stories. Four objects.
A feminist reading of classical Chinese ghost stories.

MOVE LEFT / RIGHT TO TURN THE OBJECTS · SELECT TO LOOK CLOSERWatch the artist’s introduction ↓

THE QUESTION BEHIND THE EXHIBITION

Visible in the story.
Whose power in the language?

This project reads twelve classical Chinese ghost stories through feminist close reading and computational analysis. Descriptions, body parts and actions become clues to how women are represented — and to what automated sentiment analysis can overlook.

The original window and goose cage translate selected findings into physical constraints. The lantern and sedan chair extend that exhibition for the web; their thorn counts follow a different rule and are not comparable scores.

TWELVE STORIES / ONE READING ROOM

Read beyond the objects.

Follow the research vocabulary into each English story. Compare female descriptions, potential objectification, agency and discipline, then explore word-level and sentence-level sentiment.

THE ARTIST’S WALKTHROUGH

Behind the objects.

Literature, data and the making of a bodily experience.

PROJECT FILM / 02:22Watch on YouTube ↗
01 / 04
DRAG TO ROTATE · SCROLL TO ZOOM

English story & research